Bible Stories Gone Wrong in the Louvre

After our recent trip to London for my masters graduation, we took the train to Paris, and during our time in Paris we spent a day at the Louvre museum, which (along with the British Museum in London) is full of items of biblical relevance.

However, in the extensive Italian painters section, I came across several famous paintings which depict biblical scenes, albeit incorrectly.

The Wedding at Cana

This famous painting by Paolo Veronese is one of the highlights of the Louvre, and is held in the same room as the Mona Lisa. It depicts the famous scene from John 2 in which Jesus performed his first miracle at a wedding in the town of Cana.

The only problem with this painting is that it is set not in a small Jewish village in Galilee, but in a large Greco-Roman city reminiscent of Athens. Cana was a small town, a village even, right north of the border between Samaria and the region of Galilee.

I like this painting though, especially how there’s a ton of interesting stuff going on in it, and Jesus is just chillin’ in the midst of it.

The Pilgrims at Emmaus

This is one of my favorite stories in the Gospels, and a key passage in understanding Christ-Centered hermeneutics, as Jesus opened the minds of his disciples to understand the Scriptures, showing them how all of the things written in the Books of Moses, the Psalms, and the Prophets (i.e. the entire Old Testament) was about him (see Luke 24:13-49)

However, you might notice the beautiful Alps in the background of this painting – which would make sense if Jesus had been in northern Italy rather than in Jerusalem. Apparently, although Titian was a great painter, he had never been to Israel, because then he would have known that there are no snow-capped mountains visible from the Judean desert near Jerusalem.

This is of course not to mention the anachronism of the servant’s clothes, which were not in style until at least 1000 years after the events recorded in Luke 24.

Saint Stephen Preaching in Jerusalem

This painting by the Italian master Carpaccio, is one of my favorites, because it shows that it’s possible to be good at painting, but bad at history.

It depicts the story found in Acts 7, in which Stephen, a deacon in the early church, preached to a crowd in Jerusalem right before they stoned him to death for his faith in Jesus, making him the first martyr of the Christian faith.

However, you might notice that Carpaccio’s depiction of Jerusalem has it filled with minarets: towers attached to mosques from which the Muslim call to prayer is heralded. Furthermore, notice the many people in turbans, the traditional dress of Muslim men in the Middle East.

At the time of Carpaccio, Jerusalem was indeed full of mosques and muslims. However, Islam wasn’t invented until over 600 years after the events which took place in Acts 7! In the 1st Century A.D. there were no muslims and no mosques in Jerusalem!

Sometimes people criticize Christian pop music and movies as being subpar, but these paintings show us that it is possible to make great art that is quite inaccurate from a biblical perspective.

If “It’s All Gonna Burn” Then What’s the Point? – How the Resurrection Gives Meaning to Work & Art

In this episode I’m joined by Pastor Jon Markey from Ternopil, Ukraine. Along with being a pastor and missionary, Jon is a musician and producer. We discuss how the resurrection infuses our lives, including our work and art, with meaning and purpose.

Sometimes people have the idea that if the world is going to burn anyway, then there is no point in trying to invest time and energy into work or art in this world; it would simply be akin to hanging curtains in a house that is on fire. However, as Jon and I discuss, Jesus’ resurrection changes that story in a big way.

Check out Jon and Steffie’s work at Room for More on Instagram and YouTube.

Click here to listen to the episode, or listen in the embedded player below:

If "It's All Gonna Burn" Then What's the Point? – How the Resurrection Gives Meaning to Work & Art Theology for the People

In this episode I'm joined by Pastor Jon Markey from Ternopil, Ukraine. Along with being a pastor and missionary, Jon is a musician and producer. We discuss how the resurrection infuses our lives, including our work and art, with meaning and purpose. Sometimes people have the idea that if the world is going to burn anyway, then there is no point in trying to invest time and energy into work or art in this world; it would simply be akin to hanging curtains in a house that is on fire. However, as Jon and I discuss, Jesus' resurrection changes that story in a big way. Check out Jon and Steffie's work at Room for More: Instagram YouTube 

Treasure in Unexpected Places

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Did you know that a few years ago, the British artist Banksy set up a stall at the edge of New York’s Central Park, and offered some of his most famous and sought-after works of art up for ridiculously low prices?

Some of Banksy’s most famous pieces, the monkey with a sign, the guy throwing flowers, the rat with a smirk, they were all there – but people walked by and completely ignored them.

Pieces which are worth hundreds of thousands of dollars were on sale for $60 a piece, and yet, over the course of the day, only three people bought prints from the old man watching over the stall, which was only labeled “Spray Art.”

One lady bought two pieces, but only after haggling for a 50% discount. One young woman bought a large canvas at full price, and one lucky man from Chicago bought four of them for his new house, because he just wanted “something for the walls,” and he thought these would suffice.

All in all, Banksy sold $225,000 of art for just $420. The entire stall was holding over $1 million worth of art, but no one recognized the incredible value of what they were walking right past.

Here’s an article about it, and below is a video which was taken of the stunt as it happened.

Or maybe you’ve heard about the world famous violinist, Joshua Bell, who, two days after selling out a theater in Boston where the average seat price was over $100, entered a Washington D.C. metro station and played one of the most intricate pieces ever written, on a violin worth $3.5 million. In 45 minutes, he made $32 in tips, and of the thousands of people who walked by, only six stopped to listen.

Here’s an article and a video of that.

“From now on therefore…”

How many times do we do the same thing? We overlook the treasure that is right before us, because it is in a place we didn’t expect to find it.

We overlook it in the people about whom we are predisposed to think a certain way. We overlook it in nature and in all kinds of other places.

The Apostle Paul says in 2 Corinthians 5:16: “From no on therefore, we will regard no one according to the flesh.”

He is making a determination, that he will not look at people the same way anymore. Why not? Because in the prior verses, he talked about how Jesus has died to redeem us. Not everyone will receive that gift of redemption; Paul mentions that when he talks about how, in light of what God has done, we now seek to compel and persuade others to look to Jesus and receive God’s grace freely offered to them, as if God as making his appeal through us: we implore you on behalf of Christ, be reconciled to God! (2 Corinthians 5:11,20)

CS Lewis put it this way:

There are no ordinary people. You have never talked to a mere mortal. Nations, cultures, arts, civilizations – these are mortal, and their life is to ours as the life of a gnat. But it is immortals whom we joke with, work with, marry, snub and exploit – immortal horrors or everlasting splendors.
(CS Lewis, The Weight of Glory)

Beyond just the fact that no human you ever encounter is a mere moral, Paul tells us something even more astounding: that for those of us who have received this gift of redemption and new life in Christ, God has placed the light of his glory within us – as if someone put a great treasure in a simple clay pot… or if Banksy set up a stall in Central Park, or if the greatest violinist in the world were playing in a subway station…

Will you determine to see the beauty and the majesty that God has placed around you? Will you determine to see people differently than you have – as those who bear the image of God, and for those who have been redeemed: those in whom the glory of God dwells?

I know that I need to do this myself: to slow down and consider the treasure and the beauty of what (and who) is around me. I bet I’m not the only one 🙂

The Open Market and Songs About God

Following up on my recent post about Bono on Jesus:

I think sometimes it can be easy for Christians to forget what Romans 1:19-20 says: “For what can be known about God is plain to [all people], because God has shown it to them. For his invisible attributes, namely, his eternal power and divine nature, have been clearly perceived, ever since the creation of the world, in the things that have been made.”

What that means is that all people are grappling with ideas and questions about God. Christians can be quick to discount what people “outside the fold” think or say about God – but the truth is that sometimes they have some pretty astute and profound things to say, even though they may have no commitment to Jesus. On the other hand, I am sometimes frustrated with the trite nature and shallow lyrics of some “Christian” music.

The are some “secular” songs out there which put some “Christian songs” to shame, because they reflect a deeper, more sincere, more REAL engagement with questions about the person and character of God.

Here are a few examples for you. If you have any others to suggest, leave me a comment below!

First: Regina Spektor

Second: Dashboard Confessional.  Listen especially to the middle of this one, where Chris Carrabba is asking God to help him with the sin he wants to be set free from and talks about his struggles with unbelief.